Known variously as "'the Windy City,"' "'the City of Big Shoulders,"' or "'Chi-Raq,"' Chicago is one of the most widely celebrated, routinely demonized, and thoroughly contested cities in the world.

Chicago is the city of Gwendolyn Brooks and Chief Keef, Al Capone and Richard Wright, Lucy Parsons and Nelson Algren, Harold Washington and Studs Terkel. It is the city of Fred Hampton, House Music, and the Haymarket Martyrs. Writing in the tradition of Howard Zinn, Kevin Coval's A People's History of Chicago celebrates the history of this great American city from the perspective of...
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Known variously as "'the Windy City,"' "'the City of Big Shoulders,"' or "'Chi-Raq,"' Chicago is one of the most widely celebrated, routinely demonized, and thoroughly contested cities in the world.

Chicago is the city of Gwendolyn Brooks and Chief Keef, Al Capone and Richard Wright, Lucy Parsons and Nelson Algren, Harold Washington and Studs Terkel. It is the city of Fred Hampton, House Music, and the Haymarket Martyrs. Writing in the tradition of Howard Zinn, Kevin Coval's A People's History of Chicago celebrates the history of this great American city from the perspective of...
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Known variously as "'the Windy City,"' "'the City of Big Shoulders,"' or "'Chi-Raq,"' Chicago is one of the most widely celebrated, routinely demonized, and thoroughly contested cities in the world.

Chicago is the city of Gwendolyn Brooks and Chief Keef, Al Capone and Richard Wright, Lucy Parsons and Nelson Algren, Harold Washington and Studs Terkel. It is the city of Fred Hampton, House Music, and the Haymarket Martyrs. Writing in the tradition of Howard Zinn, Kevin Coval's A People's History of Chicago celebrates the history of this great American city from the perspective of...
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L-vis is an imagined persona, a representation of artists who have used and misused Black music. Like so many others who gained fame and fortune from their sampling, L-vis is as much a sincere artist as he is a thief. In Kevin Coval's poems, L-vis' story is equal parts forgotten history, autobiography, and re-imaginings. We see shades of Elvis Presley, the Beastie Boys, an...
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L-vis is an imagined persona, a representation of artists who have used and misused Black music. Like so many others who gained fame and fortune from their sampling, L-vis is as much a sincere artist as he is a thief. In Kevin Coval's poems, L-vis' story is equal parts forgotten history, autobiography, and re-imaginings. We see shades of Elvis Presley, the Beastie Boys, an...
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